![]() ![]() Many of its rivals have been around in some form for decades, and have large numbers of devoted users, so a newcomer is going to have to come up with something pretty special to build a user base and community from a standing start.Ī first glance at Bitwig Studio reveals some startling similarities with Ableton Live: a window with docked editing panels, a 'session' view with launchable audio clips, tracks with horizontal chains of devices, and so on. It's a new digital audio workstation, and so joins a crowded market. The brand-new sound package Anti-Loops uses these features to push the idea of what a loop is to the breaking point, with 100+ clips crafted by expert sound designers like Cristian Vogel, Pat Cupo, Polarity and others.Is Bitwig Studio's fresh take on clip-based music production different enough to tempt users away from established rivals?īitwig Studio is the first, and the flagship, product of Bitwig GmbH, a small music software house based in Berlin and founded by ex-Ableton engineers. Anti-Loops Bitwig Studio 4 sees the arrival of comping for audio clips and Operators for all sequenced events. This leads to clips that go to different possibilities and timelines, either by programming, by performance control, or by destiny. And now with Operators, sequenced note and audio events can become electric too. Modulators have been there all along, putting device parameters into motion. Operators: Maybe the Best Loops Don’t Modulation has always been a centerpiece of Bitwig Studio. Meet Tauri and get a behind-the-scenes view of their comping workflow in this in-depth artist story. Comping In Action With Tauri Learn how experimental pop duo Tauri used the comping workflow in Bitwig Studio 4 when producing their song "In The Dark." The song is out on all major music platforms, and it's also available in Bitwig Studio 4 as a full Bitwig demo project for you to explore and remix. The stranger the sources, the newer the result. Or just drag audio in to add a new take lane. If you ask for an eight-bar comp, the entire clip will be spooled into take lanes, and the comping can begin. And since all good techniques deserve a new trick, right-click any audio clip to Fold To Takes. Comping works wherever you are, now and later. Even open the layered editor when multiple comps belong together. Or just drag clips in either direction with your takes safely inside. So if you are composing in the Launcher, just click to enable comp recording right there. Since we have a Launcher and an Arranger, comping lives inside the audio clip. From the composite lane, move a boundary by clicking, adjust gain by dragging, or fix timing by sliding. Then press the up or down arrow to cycle thru the other takes. ![]() To swap in a different take, just tap it. Each take is given its own color so from the first swipe of a take lane, the sources are clear. Comping allows you to combine the best parts of many takes, and Bitwig Studio provides this and more. Audio Comping, Anywhere the Clip Goes Since the invention of studio recording, our task has been to create the perfect performance. And Native Apple Silicon support on Mac, even allowing Intel and ARM plug-ins to work side-by-side. Random Spread for any expression point (like per-note pitch, or audio panning) with perfect control. A new set of Operators, for changing the chance, recurrence, and more of any note or audio event. This means comping for audio clips, both in the Clip Launcher and the Arranger. And for version 4, new musical timelines have arrived. ![]() Version 3 saw the birth of The Grid, our modular sound-design environment. P2P | 4 August 2021 | WiN - 279 MB / LiN - 235 MB Bitwig Studio 1 was hello, world! Version 2 brought program-wide modulators and CV integration. ![]()
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